Free Download Sepher Raziel: A Sixteenth Century English Grimoire (Sourceworks of Ceremonial Magic Series), by Don Karr

Free Download Sepher Raziel: A Sixteenth Century English Grimoire (Sourceworks of Ceremonial Magic Series), by Don Karr

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Sepher Raziel: A Sixteenth Century English Grimoire (Sourceworks of Ceremonial Magic Series), by Don Karr

Free Download Sepher Raziel: A Sixteenth Century English Grimoire (Sourceworks of Ceremonial Magic Series), by Don Karr

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About the Author

Don Karr is a highly regarded expert on the hermetic arts.Stephen Skinner began his career as a Geography lecturer and magazine publisher, but his long term interests have always been Western magic and feng shui. During the 1970s he was the driving force behind Askin Publishers, producing a number of classic magical works by Cornelius Agrippa, Paracelsus, Austin Osman Spare, Aleister Crowley, and others. During the 1970s he co-wrote many books with Francis King, including the still popular Techniques of High Magic. Also with Francis King he wrote Nostradamus. His interest in prophecy stimulated by this book, he went on to write the best selling Millennium Prophecies. Stephen is credited with bringing the art of Feng Shui to the West, and in 1976 he wrote the Living Earth Manual of Feng Shui, which was the first English book on feng shui in the 20th century. Stephen has written more than 35 books, which have been published worldwide in 28 different languages. These books have had introductions by such diverse people as Colin Wilson, HRH Charles Prince of Wales, and Jimmy Choo, shoe designer to the stars. Stephen lives in Singapore. Stephen is the first Westerner to be awarded the title of Grand Master of Feng Shui by the International Feng Shui Association.~

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Sepher Raziel―also called Liber Salomonis―is a full grimoire in the Solomonic tradition from a sixteenth century manuscript. It contains seven books: the Clavis, concerned with astrology and its use in magic, with precise interactions between planets, Signs, and Houses; the Ala, outlining the magical virtues of stones, herbs, and animals; the Tractatus Thymiamatus, which determines perfumes and suffumigations used in the Art; a Treatise of Times detailing the correct hours of the day for each operation; a Treatise on Preparations on ritual purity, and abstinence; Samaim, on the different heavens and their angels; and finally, a Book of Names and their virtues and properties, being seven semiforas of Adam and seven semiforas of Moses. The Sepher Raziel text is given in two forms: a literal transcription with no changes in spelling or wording and a modern English version. This volume also includes a foreword which offers an overview of Raziel manuscripts, which represent a number of independent traditions, an essay on the literature of Solomonic magic in English, an introduction to the Sepher Raziel manuscript presented, an appendix on incense nomenclature as a supplement to Tractatus Thymiamatus, a list of printed notices and manuscript sources of Sepher Raziel, and a full bibliography of printed works on Solomonic magic and items of related interest. Â

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Product details

Series: Sourceworks of Ceremonial Magic Series (Book 6)

Hardcover: 296 pages

Publisher: Llewellyn Publications; 1st edition (September 8, 2010)

Language: English

ISBN-10: 0738723533

ISBN-13: 978-0738723532

Product Dimensions:

7.2 x 1 x 10 inches

Shipping Weight: 4.5 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#933,206 in Books (See Top 100 in Books)

Am so glad to have this precious book. Takes great time to read - totally worth it

This book came in perfect condition! I look forward to reading it! Thanks!

Scholars and practitioners alike should be delighted with this edition of the "Sepher Raziel: Liber Salomonis". Not only is the book handsome, finely printed and well edited, but the writing of Karr and Skinner is clear, meticulously sourced, and suitably informative.Speaking for myself, it's marvelous to finally have the full text of this work available and not to have to rely on previously published and generally unreliable snippets like those to be found in books like Thompson's "Mysteries and Secrets of Magic" or even Agrippa's "Three Books". Hats off to Karr and Skinner for all the hard work obviously involved here, to the Golden Hoard press for the fine presentation, and to Llewellyn for distributing such genuinely esoteric material.

Fascinating reading.

Outstanding scholarship from Dr. Skinner, as usual!

Thank you

Not what I expected but good for studying.

I the reason I like it and bought from this author I have bought some of his other work and he was right on the nose and to the point so I waiting to get into this one and if it was like any of his other work it will meet my expectations and more!1 this is my frist book on this source so I cant compare to others!! thanks for reading my review!

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Free Ebook FYSOS: The Virtual File System (FYSOS: Operating System Design Book 2)

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Product details

Paperback: 204 pages

Publisher: CreateSpace Independent Publishing Platform (April 15, 2014)

Language: English

ISBN-10: 1499164890

ISBN-13: 978-1499164893

Product Dimensions:

7.5 x 0.5 x 9.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

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Amazon Best Sellers Rank:

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Product details

File Size: 2949 KB

Print Length: 372 pages

Page Numbers Source ISBN: 1448130867

Publisher: Pegasus Books (January 7, 2014)

Publication Date: January 7, 2014

Language: English

ASIN: B00HE2JKGC

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Good brief history of western music. A comparative mention of developments of musical instruments, notable inventions, some cultural impacts and developments in the eastern part of the world could have enhanced the quality of this book and would fit the title more appropriately. Sorry to say that the description of such developments in the west was also not balanced.

Tough read unbelievably detailed —-to the point of pain. Brilliant in many parts. Almost totally ignores the swing era and modern “straight ahead” jazz.

There is so much I did not know about Music history. Check out his Spotify playlist to get samples of the music he talks about.

Let it first be clear that one of Mr Goodall's clipped toenails has more musical talent than all of me at my peak. Which makes me wonder how I can possibly pass judgment on anything he does.The second point is that this book is a companion to his 6-hour BBC series “The Story of Music.” I thought the series even better than the book, especially the episodes from 1650 forward, but at this writing, I can't find the series for sale anywhere, not at Amazon, not even at BBC.com. It's on YouTube in its entirety, but unlikely that will last forever.In this book, Goodall combines scholarship with his musical gifts, and his thoughts are often delightfully expressed. The book was enjoyable and educational from first page to last.But if I could sit down with the author, I’d ask him "Why didn’t you spend more time telling us ..."-- How rock merged with folk to become so integral to the 1960s. (Civil rights, Vietnam War, women’s liberation, drugs, rebellion against parental controls ….)-- Why bebop, which is for me unlistenable, didn't sink into instant obscurity.-- Why rap/hiphop, again for me unlistenable, has become so inexplicably popular.-- Why Aram Khatchaturian isn’t mentioned once, with the Spartacus and Gayane ballets having some of the most luscious melodies and orchestrations in the entire history of music.-- Why or how western classical music has spread throughout the world. (I'll never forget a concert by an excellent Inchon Symphony Orchestra in Seoul in 1989, every musician Korean, and the performance exceptional.)I can’t argue with Mr Goodall’s giving Stevie Wonder so many pages and so much praise, for Goodall’s the expert musician and I’m certainly not. I’ll just say SW isn't represented by a single CD in my large collection, and I can think of many other musicians more influential, certainly more enjoyable.Likewise with Mr Goodall’s respect for Cuban music that I don't understand, even knowing Goodall and Ry Cooder love it so.And his granting Steve Reich so much importance, which I’d give to his contemporary, the more accessible Philip Glass.Enough negatives. What I did like about the book is how it helped me understand music evolving over time, and how some musicians fit their times and then influenced others. I’ve long loved Vivaldi, Mozart, Beethoven; I now better understand them and their place in music.I also enjoyed Goodall's observations, as for example, "Vast swathes of the music written in the sixty or so years after 1750 slavishly hung on these three master chords -- the same three, as it happens, that dominate rock and roll and its various twentieth-century offspring."Another: "Musicians and poets [of the Romantic period] saw the countryside as a roughly hewn wilderness, supplying countless images to convey the swirling emotional torrents of the yearning lover. Of course, none of them actually had to WORK the land. You observed peasants from the comfortable distance of your artistic nook but you wouldn't want to be one. They were more like present-day privileged Western students trawling the developing world and writing blogs about how the world's poorest people enabled them to broaden their horizons."Or: "Listening to Faure after Brahms, Liszt, Wagner or Tchaikovsky is comparable to someone spring-cleaning and redecorating a teenage boy's bedroom. Gone are the posters of death, psychological torment, superheroes and tragedy. The augmented piles of clothes have been put away, and the windows have been opened to dispel the diminished air."Or: "...the RITE OF SPRING is the twentieth century's most thrillingly explosive, iconic piece of orchestral music; it is still astonishing a hundred years later. It is a rebellion in sound. While Mahler had layered melody on melody, tangled together like a twisted knot [aha, now I see better why I don't enjoy him], and Debussy had manipulated blocks of adjacent sound melting into each other, Stravinsky went one step further, superimposing simultaneous rhythms on top of each other."We may not always agree with Mr Goodall's musical opinions, but no denying the pleasure reading them.I hesitate to post this “review” and display my ignorance for all to see. I offer it to those, amateurs like me, hoping to gain a broader view of music. You will not go wrong reading this book. I just wish the author had talked with me as he was writing it. (Ha!)

Read it from cover to cover, now re-reading it and researching the composers, eras and pieces he sites in the book. A wonderful presentation of multiple eras of music-

A thought-provoking, insightful overview of the pageant of classical music's unfolding. One of the most engaging accounts I've read in recent times.

I learned so much from this book and have a newfound understanding and respect for anyone who dedicates their career to music. Having said that, a more apt title for this book, however, might be "the story of WESTERN music" because that was most of the book covered. Definitely worthwhile, though!

I bought this based on an interview I saw with the author on the Daily show I believe. Mr. Goodall made the book sound very interesting and as the title states, connected the dots so to speak between a wide and vast subject. but he lied to me. This book is a history of "classical" music. He only discusses contemporary musical genres such as Rock or Jazz as they pertain in example to prove a point about the broader history of his main musical focus European "classical" music. there was virtually no discussion of African, Aboriginal Australian or pre colonial American music, and only brief snippets of Asian music forms. The last chapter is really the only place the reader gets contemporary insight/info. It's not an easy read if you are looking for anything other than educational material, but Mr. Goodall does write passionately about his subject matter and I did learn from him. I think the book needs a more accurate title, but if you want to know about the topic of "classical" music, this is an excellent resource.

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